‘Worlds End Lane’: A Quiet Battle Between Innocence and Evil
Upon initial viewing, Tomas Clayton’s “Worlds End Lane” is strikingly uncanny and enigmatic. It is not an innocuous scene. There is palpable tension and discomfort existing between the characters and the viewer. We are left forging imaginary relationships, trying to make sense of this odd triple portrait. Despite the Edwardian dress, for Clayton this…