“We wanted to give something with some permanence to celebrate the marriage and also something that they wouldn’t get for themselves,” explains Robin who commissioned this portrait for his son and daughter-in-law-to-be as a wedding present. Having never commissioned a portrait before, he initially felt daunted by the wide range of possibilities but found the…
DetailsImage: Veil by Claire Anscomb Exhibiting with the Royal Society of Portrait Painters has proved to be a great catalyst for Claire’s career as a portrait artist. With our call for entries about to open (4th November) Claire’s story is particularly relevant to those who might be thinking of exhibiting with us. In 2015 Claire…
DetailsArtist & Illustrator are the first to publish information on our forthcoming show
‘The Show Goes On: A Theatre of Portraits’
We used our Portrait Commissions Service to identify the most sought-after artists. Four Artists stood out in 2019; Two Member artists and two exhibiting artists top the most sought-after portrait artists during our Annual Exhibition. Richard Foster came out top among the Members. He exhibited four portrait commissions, two of which were family group portraits. …
DetailsEvgeny Grouzdev Born in 1975 in Kurgan, the Urals, Evgeny started painting at the age of 5. He was one of the most distinguished young artists to have graduated with Merit from Shadr Art College in Ekaterinburg (the Urals) and Full Honours from the Academy of Fine Arts, St. Petersburg. Evgeny specializes primarily in portrait…
DetailsPhoebe trained at Charles H Cecil Studios, Florence Italy, Lavender Hill Studios (now called London fine arts studio), London, The Prince’s Drawing School, London and studied Print Making at The Heatherley School of Fine Art, London. She is inspired by the work of John Singer Sargent, Corot and William Nicholson. Phoebe has exhibited with The…
DetailsWhen given some money for his birthday, Michel thought that the most enjoyable and lasting way of spending it would be to commission a portrait. As somebody who particularly enjoys the work of the Surrealists, a portrait ‘after Magritte’ seemed the thing. Michel used this website to select and contact David Cobley to paint it.…
DetailsMark Roscoe, who was commissioned to paint this portrait, considered adding a liver bird to the bookshelves but felt that making a mythical bird look real might not have worked. Instead, the liver bird appears on the robes Sir Brian wears where it is holding liver seaweed. A liver bird is a mythical creature and…
DetailsCressida Dick was surprised by the strength of feeling that there was in favour of having a portrait commissioned, but understood its importance so paid for it out of her own salary commenting that it is ‘an important part of the 100 years celebrations, symbolising the nature of the current Met and, maybe more importantly,…
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