During this time the connoisseur and art historian, Sir Brinsley Ford discovered Yeoman’s work and started to form a collection of his drawings. At the end of his four years at the RA Schools, he was awarded the Richard Ford Travelling Scholarship to Spain followed by becoming a Greenshield Scholar during which time he painted the portrait of his father that was entered and hung in the 1981 BP Portrait Award at the National Portrait Gallery, London.
In 1983 Yeoman became associated with The National Trust through Christopher Wall, who gave Yeoman the opportunity to paint both Basildon Park and Ashdown House. Numerous commissions followed from the National Trust’s Foundation for Art. A large retrospective of Yeoman’s paintings, drawings, etchings and sculpture was organised by Trust and exhibited at Mompesson House, Salisbury in 1994.
Sir Brinsley Ford introduced Yeoman to HRH The Prince of Wales in early 1986. The Prince made his first purchase of one of Yeoman’s works, an oil of St Davids Catherderal bought as a gift for the President of Japan. He was invited to join The Prince and Princess of Wales on the Royal Yacht Britannia on their tour of the Gulf States, as the artist in attendance, making him the first young ‘Tour Artist’ to teach the Prince drawing and painting. Yeoman subsequently accompanied the Prince of Wales on further official Royal Tours to Hong Kong in 1989, followed by India and Nepal in 1992.
In 1988 he was commissioned to draw Sir Alan Hodgkin, the Cambridge Physiologist for The Order of Merit series in The Royal Collection. In 1992 Yeoman was commissioned by the Royal Household to draw the Queen’s grandchildren as a present to Her Majesty to mark the forty year anniversary of her reign. The drawings were exhibited at the National Portrait Gallery in 1993 and are now in the Royal Collection, Windsor. In 1994 he was commissioned to paint Sir James Whyte Black’s portrait, the Nobel prize-winning scientist for the National Portrait Gallery’s Collection.
In 2002, he won the highly prestigious Royal Society of Portrait Painters Ondaatje Prize for Portraiture and its Gold Medal. That same year he had a solo show ‘Hindustan to Malabar’ at Offer Waterman & Co, read the catalogue forward by HRH Prince of Wales and Tim Mackintosh-Smith.
1976 – Silver Medal for Drawing, Royal Academy Schools
1978 – David Murray Landscape Scholarship
1979 – Richard Ford Scholarship
1980 – Elizabeth Greenshield Scholarship
1996 – Menena Joy Schwabe Prize
1998 – The Philip Solomon Drawing Prize
2002 – The Ondaatje Prize for Portraiture
2004 – The Bill Turner Prize for Drawing
2016 – The Doreen McIntosh Prize
2016 – The Woodhay Picture Gallery Prize for Drawing
2015/16 – New English Art Club Open Exhibition
2015 – Last of the Tide, Queen’s Galley
1996-2004/2009 – Royal Society of Portrait Painters Exhibition, Mall Galleries
1976/77/79-90/92/92/93/93/04/05/06 – RA Summer Exhibition
2005 – No Photography Allowed, Petley Fine Art, London
2004 – India, Indar Pasricha Fine Arts, London
2004 – Oil Paintings Pastels Drawings, Petley Fine Art
2002 – Hindustan to Malabar, Offer Waterman and Co, London
2000 – Paintings in the Holy Land, Alan Kluckow Fine Art Publications
I. – Princes as Patrons, National Museum of Wales, Cardiff
II. – Travels with the Prince, Hampton Court Palace
1997 -Yeoman’s Yemen: The British Council Exhibition – The National Art Centre in Sana’a, Yemen.
1994 – Selected Works, National Trust’s Foundation for Art, Mompesson House, Salisbury
1993 – The Queen’s Grandchildren, The National Portrait Gallery
1987 – Two Tours of the Middle East, Agnews, London
View a list of Solo and Group shows on our
HM The Queen
HRH The Prince of Wales
HRH The Princess Royal
The British Museum
The British Council
The National Trust
National Portrait Gallery
The Royal Collection
Grimsby School of Art
J O Hambro
Diocese of Birmingham
Merton College, Oxford
Ruth Borchard Collection
Pembroke College, Cambridge
St Lawrence College
The Royal Society of Portrait Painters
New English Art Club
Society of Portrait Sculptors
This is a rough fee-guide for a single portrait. Frame, travel & accommodation expenses are not included. For groups and non-standard sizes please ask for a quote.
METHOD OF WORKING
I always work from life and need about ten sittings for a painting but fewer for a drawing. I prefer to work in my studio but am also happy to travel to my sitters. I am not Registered for VAT.